Yes, Dre co-wrote and produced “Family Affair,” but Mary J. Blige’s presence at the proceedings remains a little shaky. Meanwhile, though no one would ever argue with the Queen of Hip-Hop Soul or the two songs (“Family Affair” and “No More Drama”) that she performed on the evening, the logic behind the legendary Mary J. It’s particularly surprising, given Snoop’s recent purchase of Death Row records - infamous home to those ’90s Dre and Snoop albums - which would’ve seemingly made this the perfect time and occasion for a victory lap with that era’s enduring hits. “California Love,” the late 2Pac’s 1996 single with production and a guest verse from Dre, was the oldest song performed on the night, undercutting Kendrick’s “35 summers in the making” point by effectively excising the extremely crucial first decade of Dre’s rap recording history. There was no presence for the rap group that Dre first really rose to stardom with in the late ’80s, while his game-changing 1992 solo album The Chronic was represented with just a quick-hit sampling of the synth whine from “Nuthin’ But a ‘G’ Thang.” Meanwhile, Snoop was relegated to supporting duties, performing his verses on Dre’s 2001 hits “The Next Episode” and “Still D.R.E.,” but not getting airtime for any of his own Doggystyle perennials. However, Kendrick’s performance also pointed to the biggest thing absent from the set: “35 summers in the making… I’m talking N.W.A,” he rapped after “Alright” - and while he might’ve been talking N.W.A, Dre himself certainly wasn’t. The proof is still in the songs, some of the best-loved party and radio staples of modern times - and as particularly showcased by Kendrick Lamar’s explosive “Alright” performance, also some of the continually timely. Dre started the performance seated at his studio console as the stage and music rose, and the implication was clear: He’s the man behind all of this, the progenitor of this crucial strain of music and culture, the guy who has done as much as anyone to get rap to music’s biggest stage, showcasing it with the same reverence it once reserved for classic rock acts. Dre, the maestro, the man forever in the lab with a pen and a pad. It was a moment of true celebration - for the West Coast (despite half the performers hailing from Eastern Standard Time hometowns), for hip-hop in general (which had never gotten the majority of a Super Bowl halftime show to itself before) and most of all for Dr. It was as star-studded an event as Super Bowl halftime has ever seen, with a setlist full of smashes no one could deny, and staging that brought out the partiers, the low riders, and even a gigantic map of Compton that the entire performance took place atop. Blige bangers, one-and-a-half Kendrick Lamar firestarters, a timeless Eminem anthem and even a surprise 50 Cent throwback. That of course encompassed another couple Dre classics (one more with Snoop in tow), as well as a pair of Mary J. Once strings came up on Dre and Snoop Dogg’s opening “The Next Episode,” you wouldn’t find too many fans of popular music between the ages of 5 and 50 who couldn’t find something to get giddy over in the 15 minutes that followed. While you wait for the other Death Row classics return, stream The Chronic on iHeartRadio now.The answer: basically. While Dre's album has returned, Snoop's albums like Doggystyle and others are still not available for streaming. It’ll be a Death Row app, and the music, in the meantime, will live in the metaverse.”Īs of this report, Snoop's Death Row app hasn't been finalized. “So what I wanted to do is snatch my music off, create a platform similar to Amazon, Netflix, Hulu," Snoop told told Drink Champs last year. ![]() Snoop said he pulled the albums to prepare for a special Death Row-centric streaming service, which would feature the label's entire library of classics. The Chronic was one of several classic Death Row projects that were removed from all platforms last year shortly after Snoop Dogg acquired the historic record label. The merch is expected to ship on March 10. “Working alongside my longtime colleagues, Steve Berman and John Janick, to re-release the album and make it available to fans all over the world is a full circle moment for me.”įans can cop the fresh collection of hoodies, sweatshirts and t-shirts based on the album exclusively on Interscope's website. “I am thrilled to bring The Chronic home to its original distribution partner, Interscope Records,” Dre said.
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